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Humanism
and the Renaissance
General
Notions
Humanism and the Renaissance are a vast and
profound literary, cultural and speculative
movement, having many varying aspects which it is
difficult to group together in a single term or
expression.
Humanism, which covers the entire fifteenth
century, is predominantly literary; the
Renaissance, which spans the whole of the sixteenth
century, is cultural and speculative; both have
come to be called Renaissance in the broad sense of
the term.
Humanism and the Renaissance are an era of
transition between the Middle Ages and the modern
age. As a period of transition they naturally
partake of many elements of the age which preceded
them, and have all the ferment and restlessness of
the age which follows.
Without doubt the greater part of the
representative men of the Renaissance are
Christians who affirm their faith in the
transcendence of God and who respect and uphold the
Church. Their life, however, is pagan, and the
principles which are the absolute basis of their
speculation are in opposition to God and Church.
Thus there exists a strange mixture of Christianity
and paganism which it is difficult to separate. As
one typical of this age we may mention Lorenzo de'
Medici who, though he renewed pagan orgies in his
carnivals at Florence, wrote verses in honor of the
Virgin Mary and the saints, and from his deathbed
called for Fra Girolamo Savonarola, who refused to
absolve him.
To say that Humanism is the study of "human
letter," and that with the study of the ancient
classics a love for the pagan world infiltrated
civilization; and to say that the Renaissance
signifies the study of man and nature carried on
outside ecclesiastical authority, is to give only
partial definitions which do not really express the
spirit of these movements.
The Renaissance actually consists in
Neo-Platonic pantheism, which was more or less
consciously present during the entire period -- it
was indeed the sole font of thought. It is in the
spirit of Neo-Platonism that Humanism divinizes man
as a free and independent entity, and seeks the
explanation of all reality. It is in the
Neo-Platonic spirit that the state was to be
considered as above all morality, that cunning was
to be called a virtue, and that the Protestant
Reform was to seek justification for individual
interpretation of Sacred Scripture. Neo-Platonism
was the heritage which the Renaissance passed on to
the following ages; these in turn developed the
germs of immanentism contained in it.
How was it possible that the Renaissance
philosophers, the majority of whom were Christians,
could think and live like pagans? The answer is to
be found in what has been said of the principle of
the double truth; the falsity of the principle was
not fully realized at the time of the
Renaissance.
It would be a grave error to believe that the
exaltation of man and of nature could be attained
in no other way than through Neo-Platonism. For
this exaltation can be achieved, and on a much
higher level, through the doctrine of Christianity.
The Christian concept of the exaltation of man and
of nature is profoundly different from that of
Neo-Platonism and the Renaissance, because of the
radical antithesis which exists between
transcendentalism and immanentism. For the
Renaissance, man and nature are the Divine (God);
for Christianity, they are the image of God and
hence have divine value. In man this divine value
consists in the supernatural (grace). It does not
destroy nature but unites it to the Divinity. In
this order of transcendence, man and nature find
their real value; and the problem of evil,
inexplicable in any Neo-Platonic system of thought,
finds it justification. The humanists of the
fifteenth century could have risen to the truly
Christian motives for man's nobility. Instead, they
bound themselves to paganism and Neo-Platonism, and
plunged, unknowingly, into pantheism and
immanentism.
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THE
RESURGENCE OF THE PHILOSOPHICAL
SCHOOLS
I.
Platonism
Humanism was not an age of creation, but
essentially one of imitation of the ancient
classics, many of which were at this time
rediscovered and passionately studied. The ancient
classics had been studied also during the Middle
Ages; but Humanism is drawn to them not only under
the aesthetic aspect of philology, but even more
because of the desire to discover in them a model
of life for more because of the desire to discover
in them a model of life for man make newly
conscious of his nobility and of the creative force
of his spirit.
Thus is attained the concept of man proper to
Humanism: man the builder of the world in which he
is to live and to rule. This is the world which is
of interest to the Humanist; before it every vision
of another life and another world which transcends
the visible world loses all value. To conquer this
world, man must make levy not upon the goods of
fortune but upon the nobility of his nature. Thus
there is had the curious hybrid of the Christian
who lives like a pagan but lacks the
thoughtlessness of ancient paganism, an attitude
which was impossible after the message of
Christianity and the rational justification given
by the great masters of Scholasticism. Granted
these intentions, it was natural that the study of
Plato's thought should take first place.
The works of Plato were only partly known during
the preceding age, which had had the translation of
Leonardo Bruni, made in 1404. The complete works
were known in Italy only in 1423 through a
Camaldolese monk, the theologian Ambrose
Traversari, who brought them from Constantinople.
Actually, the decisive impulse toward Platonic
studies in Italy, as toward the study of the
classics in general, followed upon the arrival of
the learned Byzantines at the Council of Florence
(1439), which was called for the reunion of the
Greek and the Latin Churches. Later, the fall of
Constantinople into the hands of the Turks caused
another influx of learned Orientals to the West.
Florence was the preferred city of these
intellectuals, as it was for the Council.
The most representative figure among these
Orientals was Georgius Gemistus Pletho (c. 1355 -
c. 1450). With his work On the Differences
between Plato and Aristotle, he opened a bitter
controversy which had heated and even fantastic
phases. It will be mentioned only that the
Aristotelian George of Trebizond wrote a violent
reply to Gemistus Pletho in his work, Comparison
of Plato and Aristotle, in which he affirms the
superiority of the Stagirite over Plato because of
Aristotle's doctrine on God and the soul; of the
greater accord between Aristotle's works and
Christianity; and because of his scientific spirit.
To George of Trebizond replied Basilius Bessarion,
also of Trebizond, who had come to Italy for the
Council of Florence, and having received the
cardinalate from Pope Eugene IV, remained in Italy
after the fall of Constantinople.
These spirited controversies led to an
ever-growing affection for Platonism at Florence.
In a villa close to the city and donated by Cosimo
de' Medici, there was founded the Platonic Academy,
a favorite meeting place for men of letters,
artists, and philosophers. The Platonism of the
Academy of Florence, however, is not pure
Platonism, but rather Neo-Platonism with a
pronounced tendency toward immanentism as it had
been developed by the Neo-Platonists of the Middle
Ages: John Duns Scotus, John Scotus Erigena and
Master Eckhart.
1.
Marsilio Ficino
(1433-1499)
The most representative philosopher of this
academy was Marsilio Ficino (picture),
who was born at Figline, Valdarno, in 1433. Ficino,
who during his entire lifetime enjoyed the
protection and patronage of the Medici and was
friendly with most of the men of letters and
thinkers of his time, men like Pulci and Lorenzo
de' Medici, was personally most upright of
character although living amid the corruption
common to his time. Ordained a priest in 1473, he
lived entirely in love with philosophy. He died in
1499.
Ficino Greatest work is Theologia
Platonica, written with the intention of
proving that Christianity had in Plato its
theological precedent, and hence of demonstrating,
in single historical picture the harmony between
Platonism and Christianity. The Theologia
Platonica is characterized, metaphysically, by
the peculiar immanentism of Neo-Platonism; in a
series of emanations man holds his place at the
center. He is the microcosm, the "copula mundi,"
because in the twofold knowledge of sense and
intellect he embraces what exists above and below
him. This thought was very dear to the
Humanists.
It was Facino who manifested his literary
activity in a translation from the Greek into
elegant Latin of the works of Plato, of Plotinus,
and of a few Neo-Platonist philosophers. His
translation of Plotinus was until recent times the
only one in existence.
In the same Academy of Florence was a friend of
Ficino, Giovanni Pico della Mirandola, celebrated
for his prodigious memory and gifted with a broad
culture. He wrote De dignitate hominis, in
which Neo-Platonism is intermingled with the
Cabala: at the base of nature there are occult
powers, and man can use these forces to uncover the
secrets of nature.
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2.
Giovanni Pico della
Mirandola
(1463-1494)
Popular legends and scholarly tradition used to
represent Pico as a resuscitated Greek god who had
taught, by means of Platonic ideas, a new religion
of worldly individualism. But, in fact, Pico della
Mirandola (picture),
who charmed his greatest contemporaries and was
admired by Reuchlin and Erasmus, by Lorenzo de'
Midici and Savonarola, was no pagan thinker, no
heretic, no pantheist. His great aim was to
reconcile all philosophies which, according to him,
conflicted with one another only in appearance. He
especially tried to synthesize Plato and Aristotle,
and constantly refused to depreciate Aquinas or
Scholasticism in general, although his aesthetic
sense was captivated by Platonism.
But it was the Jewish Cabala that inspired him
most. He held that Christian faith was not
fundamentally different from the Cabala and
expressed his strong conviction that every great
philosophical or religious doctrine uses esoteric
wisdom to veil secret teachings, which only the
cabalist scholar is able to unveil.
At the age of 24, Pico planned to challenge all
scholars of the known world by defending 900
conclusions or theses in a public disputation at
Rome, but papal authorities prevented him from
doing so and condemned thirteen of his
conclusions.
Pico's metaphysics, despite its Platonic
wrappings, depended largely on Aquinas as well as
on the Cabala. His Heptaplas is a commentary
on the Cabalist doctrine of Sefiroth, the ten
creative powers. His last work De Ente et
Uno (On Being and One) was inspired by his
Hebrew teacher Eliah Del Medigo who had written a
book De Esse, Essentia et Uno.
Pico was one of the most elegant stylists. He
had an extraordinary talent for striking formulas.
Thus he expressed his standpoint in the short
sentence: "No philosophy turns us away from the
trend to mysticism; philosophy seeks, theology
finds, religion possesses truth." Of princely
descent, related to almost all ruling dynasties in
Italy, handsome, learned, an untiring worker, a
reliable friend, Pico enchanted everyone he met,
except the officers of papal jurisdiction.
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II.
Aristotelianism
While Platonism held prevalence at Florence, at
Padua and Bologna Aristotelianism held the primacy.
As at Florence Platonism was not the pure
speculation of Plato but, rather, Neo-Platonism, so
also in Padua and Bologna Aristotelianism was not
precisely the philosophy of Aristotle which had
already been developed and perfected by the masters
of Scholasticism; instead, here were set forth the
two currents of Aristotelian thought which had
their sources in Alexander of Aphrodisias and in
Averroes.
The interpretation of Alexander of Aphrodisias
led to pure naturalism, for he not only denied the
personal "intellectus agens," but held that the
"intellectus agens" was material in nature and only
a degree superior to sensitive cognition. Thus for
Alexander there is no immortality of the soul,
either personal or universal. Averroes, on the
other hand, although denying the individual
intellect, held to the existence of a separate
intellect; and if the individual soul died with the
body, the separate intellect, which was immortal,
would continue to live.
Both interpretations were contrary not only to
Catholic philosophy -- Scholasticism and Thomism --
but also to the fundamental requirements of
Humanism, which extolled the divine in man.
Averroism, moreover, seemed more in antithesis to
the humanistic mentality, in so far as it made man
depend upon an impersonal intellect, in relation to
which he was merely a passive potency.
Alexandrianism, on the other hand, denied
immortality, and made man a means and end unto
himself; hence this trend of thought had great
success.
The Aristotelians of the University of Padua
took an interest in the interpretation of the
scientific writings of Aristotle. At Padua, too,
the pure Aristotelians upheld the science of
Aristotle with a dogmatic faith, and accused of
anti-Aristotelianism those who departed from what
Aristotle had said. This condition endured to the
time of Galileo and entered into the noted
argumentation which occurred during that
period.
The greatest advocate of the Alexandrian School
is Pietro Pomponazzi.
Pietro
Pomponazzi
(1462-1524)
While the philosophy of the Renaissance is
characterized by the overthrow of the authority of
Aristotle and the revival of Platonism, Pietro
Pomponazzi (picture),
one of the most acute thinkers who lived in that
period, remained a staunch Aristotelian, for he was
not affected by the religious and artistic currents
of his time, and possessed neither a reactionary
nor traditional but rather a progressive and
independent mind. He was the philosophical teacher
of Copernicus, and in the middle of the 19th
century his example encouraged Roberto Ardigo, the
leader of Italian positivism to abandon the Church
and to devote himself to secular science.
Pomponazzi was by no means uncritical when he
adopted Aristotle's views, and he was opposed to
both Aquinas' and Averroes' interpretation of his
master, although he had also learned much from
Averroes. His principal work On the Immortality
of the Soul (1516), in which he denied
immortality, aroused a storm of indignation, and
Pope Leo X charged Agostino Nifo with refuting it.
Pomponazzi was insistent that the conviction of
mortality of the soul allows man to be good and
virtuous.
Pomponazzi's general design was to defend and
secure experience, which he conceived so broadly
that it included magic and miracles which he
explained as natural and not performed by angels or
demons. What he considered outside the wide range
of natural causes assumed by him, he combated as
superstition. From his investigation of the
relation between prayer and fulfillment of the
wishes expressed by prayer, he proceeded to views
on the history of religions.
He stated that religions are subject to the law
of change and necessary decline, and he did not
except Christianity from these laws. But he
distinguished simple faith from the spirit of
inquiry, and declared that philosophical thoughts
must not influence man's behavior as a faithful
Christian and member of the Catholic Church. This
version of the Averroist assumption of "double
truth" allowed him to remain unmolested as a
professor at the Universities of Padua, Ferrara,
and Bologna.
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III.
Stoicism and Epicureanism
Humanism, in its passionate invocation of the
past, had a practical end besides its artistic
purpose: to find a model way of life which would be
worthy of the wise man. This explains the success
of Stoicism and Epicureanism; both these
philosophies had been presented in ancient times as
models of life for the sage.
Stoicism, with its praise of virtue and disdain
for vice, appeared as a substitute for
Christianity. Vice is a penalty in itself, and
virtue finds its reward in the act of virtue
itself. Hence man can live honestly without moral
constraint and without keeping the authoritative
directives of the Church.
Many Humanists even took the name of a
representative figure of Stoicism; Brutus and
Catilina were the most popular names chosen. Under
the banner of such heroes, revolutions were born,
and when the perpetrators were discovered and
accused of treason, they went fearlessly to their
death, as happened in Rome under Eugene IV.
Epicureanism met with equal favor and fever, and
its doctrine and its morality of pleasure were
revived. Its representative is Lorenzo Valla
(1406-1457), who wrote Of Pleasure and Of the
True Good, in which he upholds the theory that
the end of life is pleasure; this pleasure begins
with earthly enjoyments, and is fulfilled in the
heavenly beatitude. Such teachings were vain
attempts to justify paganism in the presence of
Christianity. They were just as vain and useless as
the attempt to deny the presence of evil, for evil
is the most efficacious answer to all those who
propose earthly happiness as the end of man.
Later, the materialism of the Frenchman Pierre
Gassendi (1592-1655), a contemporary and opponent
of Descartes, had even greater influence. Gassendi
renewed the atomist and mechanist concept of
Democritus and Epicurus in a work entitled The
Life, Customs, and Doctrine of Epicurus,
wherein he gives a popular interpretation of
Epicurean morality.
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Pierre
Gassendi
(1592-1655)
When, in 1622, Galileo was tormented by his
condemnation and was watched narrowly by the
Inquisition, many scholars were terrified, and not
a few denied any connection with him. But Pierre
Gassendi (picture), a
Catholic priest, known by his writings on
astronomy, physics and mathematics, wrote a letter
to Galileo that had to pass the censorship of the
Inquisition, as Gassendi knew. He comforted Galileo
by protesting that the ecclesiastical sentence had
nothing to do with the conscience of a scientist,
and Galileo had no reason to accuse himself of any
moral failure. There were not many savants who
acted as frankly as Gassendi did.
Gassendi himself was wise, or at least cautious
enough to avoid persecution on the part of the
Church, although he professed materialism and
criticized Descartes' idealistic views. For
Gassendi combined his atomistic materialism with
the belief in the Biblical God, and asserted that
the atoms, conceived in accordance with the
doctrines of Democritus and Epicurus, were created
by the Christian God. Gassendi therefore was called
the "Christianized Epicurus." Also in his personal
life, Gassendi knew how to be a dignified priest, a
learned theologian, and how to enjoy the society of
witty and cheerful men, no matter whether they were
faithful Christians or libertines.
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IV.
Skepticism and Eclecticism
In ancient times the contrast between the
philosophical schools led to Skepticism those who
were unable to make a critical survey of the
various theories; the same phenomenon occurred as
regards Humanism, from which a new Skepticism was
born. Other reasons also contributed to this
resurgence of Skepticism, such as the search for
the individual, the inquiry for detail, the search
for aesthetic form, and especially the desire to
save religious faith from the attacks of its
adversaries.
The most important monument of the Skepticism of
the Renaissance is the Essais of the
Frenchman Michel de Montaigne (see below), wherein
Skeptic, Stoic, and Epicurean motives are
interwoven. Montaigne makes man the center of
reference and of coordination as regards the
experiences of nature, and his discussion of every
question concludes with the expression, "I don't
know." Outside proper individual concreteness
everything is uncertain, and hence must be regarded
with benevolent tolerance.
Aesthetic motives led the Humanists to a
veritable idolatry of Cicero, model of the new man,
who through his individual resources creates his
own powerful personality. But if Cicero is a great
orator, this does not mean that he is a great
philosopher; he is a representative of Eclecticism
which is the negation of all philosophy. Still, the
Humanists' love of Cicero led them to consider him
a philosopher, and hence brought about the rebirth
of Eclecticism.
In opposition to this exaggerated cult for
Cicero, Erasmus of Rotterdam reacted with his
Ciceronianus, and François Rebelais
with Gargantua -- with the intention of
pointing out the emptiness of such formalism and
calling attention to what is individual.
Desiderius
Erasmus
(1466-1536)
Born in Rotterdam, Desiderius Erasmus (picture)
was brought up in the tradition of the Brethren of
the Common Life. He believed in Christ and His
mission and regarded Christianity not only as a
religion and doctrine of salvation, but also as a
guide to moral life. He held that philosophy and
the arts could also show the right way. In his
later years, he conceived of Christianity more as a
religion of the spirit based upon confidence in
human reason. He stated that all human evils were
rooted in ignorance and infatuation and therefore
education of humanity was the essential task of his
life.
Although he suffered from living in "a century
of fury," he endeavored to stem the tide of
fanaticism by complaining and despising religious
exaltation and partisanship, thereby exposing
himself to the fury of all religious parties.
Sometimes referred to as the Voltaire of the Age of
Reformation, he was essentially a man of deep
religious feeling and conviction; an independent
thinker; the greatest philologist of his time and
one of the greatest of all times; a staunch
defender of human reason, opposed Luther's
teachings; a fearless critic of clerical abuses;
and a religious reformer who tried to avoid
schisms.
Though he disapproved of Luther's theology, of
his doctrine of predestination, and his derogation
of human reason, he defended Luther only for the
sake of freedom of conscience and because he
approved of Luther's criticisms of the existing
Church, which he himself had severely criticized.
In fact, it was Erasmus' courageous intervention
that saved Luther's life at the very beginning of
the latter's reforming activities. Luther
essentially relied on St. Paul; Erasmus maintained
that the Sermon on the Mount was the
principal basis of the Christian religion. He
refused to give dogma primary importance, placed
piety above tenets, moral righteousness above
orthodoxy, and nothing above "true and perfect
friendship, dying and living with Christ." Erasmus
exerted considerable influence in the spiritual
life of England. He died in Basle in 1536.
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Michel
de Montaigne
(1533-1592)
While noblemen used to adorn their coats-of-arms
with grandiloquent devices, Michel de Montaigne
(picture) wrote under
his own: "Que sais-je?" (What do I know?). His
lifetime was a period of constant quarreling
between theologians, philosophers, and scientists,
and a time of bloody religious wars. Montaigne
fought for peace and tolerance, using, for that
purpose, the weapons of irony and skepticism.
Against fanaticism he appealed to clear thinking
and considerate reason, and, due to his literary
skill, he succeeded in inspiring confidence in the
value of reason at least in small circles of men
everywhere in Europe, though most of the rulers,
politicians and theologians continued to incite the
fanaticism of the masses.
Montaigne, born in the castle of Montaigne near
Bordeaux, France, was the son of a father who
probably was of Jewish descent, and a mother, whose
family was certainly Jewish. Some of Montaigne's
relatives were Marranos, baptized Jews who secretly
continued to profess Judaism, and Montaigne knew
that. He admired the tenacity with which the Jews
held to their faith in the face of persecution, and
doubted that any one of them became a true convert
to another religion.
Montaigne tried to undermine the position of any
orthodoxy and fanaticism by showing the common
weaknesses of men in order to make them aware of
the possibility that other people might be right
and they themselves could be wrong. He declared
that arrogance is the natural and characteristic
disease of man who, in fact, is the most fragile of
all creatures. But his manner of exhorting to
humility had nothing in common with that of
ecclesiastical sermons. Montaigne completely
changed the tone of religious and philosophical
discussions. He did not express indignation. He
emphasized the personal character of his views and
experiences, and did not exclude other people's
opinions on the same items.
He understood men of genius as well as plain
people. He studied Athens' civilization and was
interested in the life of American Indians. At
those who think that the entire universe is
established and moving only for the commodity and
the service of human beings he smiled. But while
rejecting anthropocentric teleology and opposing
any belief in absolute knowledge, Montaigne far
from denied the values of human life and character,
of nature, beauty, the arts and sciences. The
relativity of values was to him no proof that there
are no values or duties at all. Kindness toward
fellow men was presented as an almost absolute
value by Montaigne.
For his confessions, Montaigne created a new
literary form -- namely, the essay. It was used by
Bacon, Descartes, Locke, Rousseau, and Voltaire,
among others, and has remained popular to the
present day. One of Montaigne's most interested
readers was William Shakespeare and he was followed
by Molière, Laurence Sterne, Anatole France
and a host of others.
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