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Analogy Between God and Man

by Albertus Magnus

 

There is no excellence among the creatures which is is not to be found in a much higher style, and as an archetype, in the Creator; among created beings it exists only in footmarks and images. This is true also of the Trinity. No artistic spirit can accomplish his work without first forming to himself an outline of it. In the spirit, therefore, first of all, the idea of its work is conceived, which is, as it were the offspring of the spirit in every feature resembling the spirit, representing it in its acting. Thus, therefore, the spirit reveals himself in the idea of the spirit. Now, from the acting spirit this ideas passes into reality, and for this purpose the spirit must find a medium in outward action. This medium must be simple, and of the same substance with him who first acted, if indeed the latter is so simple that being, nature, and activity are one in him. From this results the idea in reference to God, of the formative spirit, of the planned image, and of the spirit by which the image is realized. The creation in time is a revelation of the eternal acting of God, the eternal generation of his Son. The revelation of God in time for the sanctification of nature, is an image of the eternal procession of the spirit from the Father and the Son. Our love is only a reflection of the divine love; the archetype of all love is the Holy Spirit, who, like all love, proceeds from God. The one love spread abroad through all holy souls proceeds from the Holy Spirit. Love in God neither diminishes nor increases, but we diminish or increase it in ourselves according as we receive this love into our souls, or withdraw from it.

 

Excerpted from Analogy Between God and Man, by Albertus Magnus



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