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Analogy
Between God and Man
by Albertus Magnus
There is no excellence among the creatures which
is is not to be found in a much higher style, and
as an archetype, in the Creator; among created
beings it exists only in footmarks and images. This
is true also of the Trinity. No artistic spirit can
accomplish his work without first forming to
himself an outline of it. In the spirit, therefore,
first of all, the idea of its work is conceived,
which is, as it were the offspring of the spirit in
every feature resembling the spirit, representing
it in its acting. Thus, therefore, the spirit
reveals himself in the idea of the spirit. Now,
from the acting spirit this ideas passes into
reality, and for this purpose the spirit must find
a medium in outward action. This medium must be
simple, and of the same substance with him who
first acted, if indeed the latter is so simple that
being, nature, and activity are one in him. From
this results the idea in reference to God, of the
formative spirit, of the planned image, and of the
spirit by which the image is realized. The creation
in time is a revelation of the eternal acting of
God, the eternal generation of his Son. The
revelation of God in time for the sanctification of
nature, is an image of the eternal procession of
the spirit from the Father and the Son. Our love is
only a reflection of the divine love; the archetype
of all love is the Holy Spirit, who, like all love,
proceeds from God. The one love spread abroad
through all holy souls proceeds from the Holy
Spirit. Love in God neither diminishes nor
increases, but we diminish or increase it in
ourselves according as we receive this love into
our souls, or withdraw from it.
Excerpted from Analogy
Between God and Man, by Albertus
Magnus
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