The only standard we have for
judging all of our social, economic, and political
institutions and arrangements as just or unjust, as
good or bad, as better or worse, derives from our
conception of the good life for man on earth, and
from our conviction that, given certain external
conditions, it is possible for men to make good
lives for themselves by their own efforts.
Mortimer J. Adler
The first thing a reader can say is that he
understands the book or that he does not. In fact,
he must say he understands, in order to say more.
If he does not understand, he should keep his peace
and go back to work on reading the book.
There is one exception to the harshness of the
second alternative. "I don't understand" may be
itself a critical remark. To make it so, the reader
must be able to support it. If the fault is with
the book rather than himself, the reader must
locate the sources of trouble. He should be able to
show that the structure of the book is disorderly,
that its parts do not hang together, that some of
it lack relevance. Or, perhaps, the author
equivocates in the use of important words, with a
whole train of consequent confusions. To the extent
that a reader can support his charge that the book
is unintelligible, he has no further critical
obligations.
Let us suppose, however, that you are reading a
good book. That means it is a relatively
intelligible one. And let us suppose that you are
finally able to say, "I understand." If in addition
to understanding the book, you agree thoroughly
with what the author says, the work is over. The
reading is completely done. You have been
enlightened, and convinced or persuaded. It is
clear that we have additional steps to consider
only in the case of disagreement or suspended
judgment. The former is the more usual case.
To the extent that authors argue with their
readers -- and expect their readers to argue back
-- the good reader must be acquainted with the
principles of argument. He must be able to carry on
polite, as well as intelligent, controversy. That
is why there is need for a chapter of this sort in
our program on reading. Not simply by
following an author's arguments, but only by
meeting them as well, can the reader
ultimately reach significant agreement or
disagreement with his author.
The meaning of agreement and disagreement
deserves a moment's further consideration. The
reader who comes to terms with an author, and
grasps his propositions and reasoning, is en
rapport with the author's mind. In fact, the
whole process of interpretation is directed toward
a meeting of minds through the medium of language.
Understanding a book can be described as a kind of
agreement between writer and reader. They agree
about the use of language to express ideas. Because
of that agreement, the reader is able to see
through the author's language to the ideas he is
trying to express.
If the reader understands a book, then how can
he disagree with it? Critical reading demands that
he make up his own mind. But his mind and the
author's have become as one through his success in
understanding the book. What mind has he left to
make up independently?
There are some people who make the error which
causes this apparent difficulty. They fail to
distinguish between two senses of "agreement." In
consequence, they wrongly suppose that where there
is understanding between men, disagreement is
impossible. They say that all disagreement is
simply due to misunderstanding.
The error is corrected as soon as we remember
that the author is making judgments about the world
in which we live. He claims to be giving us
theoretic knowledge about the way things exist and
behave, or practical knowledge about what should be
done. Obviously, he can be either right or wrong.
His claim is justified only to the extent that he
speaks truly, or says what is probable in the light
of evidence. Otherwise, his claim is unfounded.
If you say, for instance, that "all men are
equal," I may take you to mean that all men are
equally endowed at birth with intelligence,
strength, and other abilities. In the light of the
facts as I know them, I disagree with you. I think
you are wrong. But suppose I have misunderstood
you. Suppose you meant by these words that all
men should have equal political rights. Because
I misapprehended your meaning, my disagreement was
irrelevant. Now suppose the mistake corrected. Two
alternatives still remain. I can agree or disagree,
but now if I disagree, there is a real issue
between us. I understand your political position
but hold a contrary one.
Issues about matters of fact or policy -- issues
about the way things are or should be -- are real
only when they are based on a common understanding
of what is being said. Agreement about the use of
words is the absolutely indispensable condition for
genuine agreement or disagreement about the facts
being discussed. It is because of, not in spite of,
your meeting the author's mind through a sound
interpretation of his book that you are able to
make up your own mind as concurring in or
dissenting from the position he has taken.
2
Now let us consider the situation in which,
having said you understand, you proceed to
disagree. If you disagree because you think the
author can be shown to be wrong on some point. You
are not simply voicing your prejudice or expressing
your emotions.
Many years ago, I wrote a book called
Dialectic. It was my first book, and wrong
in many ways, but at least it was not as
pretentious as its title. It was about the art of
intelligent conversation, the etiquette of
controversy.
My chief error was in thinking that there are
two sides to every question, that is, two sides
both of which could be equally right. I did not
know then how to distinguish between knowledge and
opinion. Despite this error, I think I rightly
suggested three conditions which must be satisfied
in order for controversy to be well conducted.
Since men are animals as well as rational, it is
necessary to acknowledge the emotions you bring to
a dispute, or those which arise in the course of
it. Otherwise you are likely to be giving vent to
feelings, not stating reasons. You may even think
you have reasons, when all you have are strong
feelings.
Furthermore, you must make your own assumptions
explicit. You must know what your prejudices --
that is, your prejudgments -- are. Otherwise
you are not likely to admit that your opponent may
be equally entitled to different assumptions. Good
controversy should not be a quarrel about
assumptions. If an author, for example, explicitly
asks you to take something for granted, the fact
that the opposite can also be taken for granted
should not prevent you from honoring his request.
If your prejudices lie on the opposite side, and if
you do not acknowledge them to be prejudices, you
cannot give the author's case a fair hearing.
Finally, I suggested that an attempt at
impartiality is a good antidote for the blindness
that is inevitable in partisanship. Controversy
without partisanship is, of course, impossible. But
to be sure that there is more light in it, and less
heat, each of the disputants should at least try to
take the other fellow's point of view. If you have
not been able to read a book sympathetically, your
disagreement with it is probably more contentious
than judicial.
I still think that these three conditions are
the sine qua non of intelligent and
profitable conversation. They are obviously
applicable to reading, in so far as that is a kind
of conversation between reader and author. Each of
them contains sound advice for readers who are
willing to respect the decencies of
disagreement.
But I have grown older since I wrote
Dialectic. And I am a little less optimistic
about what can be expected of human beings. I am
sorry to say that most of my disillusionment arises
from a knowledge of my own defects. I have so
frequently violated all of my own rules about good
intellectual manners in controversy. I have so
often caught myself attacking a book rather
than criticizing it, knocking straw men
over, denouncing where I could not support denials,
proclaiming my prejudices, as if mine were any
better than the author's.
3
I am still naive enough, however, to think that
conversation and critical reading can be well
disciplined. Only now, many years later, I am going
to substitute for the rules of Dialectic a
set of prescriptions which may be easier to follow.
They indicate the four ways in which a book can be
adversely criticized. My hope is that if you
confine yourself to making these points, you will
be less likely to indulge in expressions of emotion
or prejudice.
The four points can be briefly summarized by
conceiving yourself as conversing with the author,
as talking back. After you have said, "I understand
but I disagree," you can make the following
remarks: (1) "You are uninformed"; (2) "You are
misinformed"; (3) "You are illogical, your
reasoning is not cogent"; (4) "Your analysis is
incomplete."
These may not be exhaustive, though I think they
are. In any case, they are certainly the principal
points a reader who disagrees can make. They are
somewhat independent. Making one of these remarks
does not prevent you from making another. Each and
all can be made, because the defects they refer to
are not mutually exclusive.
But, I should add, you cannot make any of these
remarks without being definite and precise about
the respect in which the author is uninformed or
misinformed or illogical. A book cannot be
uninformed or misinformed about everything.
It cannot be totally illogical. Furthermore, the
reader who makes any of these remarks must not only
make it definitely, by specifying the respect, but
he must always support his point. He must give
reasons for saying what he does.
The first three remarks are somewhat different
from the fourth, as you will presently see. Let us
consider each of them briefly, and then turn to the
fourth.
(1) To say that an author is uninformed
is to say that he lacks some piece of knowledge
which is relevant to the problem he is
trying to solve. Notice here that unless the
knowledge, if possessed by the author, would have
been relevant, there is no point in making this
remark. To support the remark, you must be able
yourself to state the knowledge which the author
lacks and show how it is relevant, how it makes a
difference to his conclusions.
A few illustrations here must suffice. Darwin
lacked the knowledge of genetics which the work of
Mendel and later experimentalists now provides. His
ignorance of the mechanism of inheritance is one of
the major defects in The Origin of Species.
Gibbon lacked certain facts which later historical
research has shown to have a bearing on the fall of
Rome. Usually, in science and history, the lack of
information is discovered by later researches.
Improved techniques of observation and prolonged
investigation make this the way things happen for
the most part. But in philosophy, it may happen
otherwise. There is just as likely to be loss as
gain with the passage of time. The ancients, for
example, clearly distinguished between what men can
sense and imagine and what they can understand.
Yet, in the eighteenth century, David Hume revealed
his ignorance of this distinction between images
and ideas, even though it had been so well
established by the work of earlier
philosophers.
(2) To say that an author is misinformed
is to say that he asserts what is not the case. His
error here may be due to lack of knowledge, but the
error is more than that. What ever its cause, it
consists of assertions contrary to fact. The author
is proposing as true or more probable what is in
fact false or less probable. He is claiming to have
knowledge he does not possess. This kind of defect
should be pointed out, of course, only if it is
relevant to the author's conclusions. And to
support the remark you must be able to argue the
truth or greater probability of a position contrary
to the author's.
For example, in a political treatise, Spinoza
appears to say that democracy is a more primitive
type of government than monarchy. This is contrary
to well-ascertained facts of political history.
Spinoza's error in this respect has a bearing on
his argument. Aristotle was misinformed about the
role which the male factor played in animal
reproduction, and consequently came to
unsupportable conclusions about the processes of
procreation. Thomas Aquinas erroneously supposed
that the heavenly bodies changed only in position,
that they were otherwise unalterable. Modem
astrophysics corrects this error and thereby
improves on ancient and medieval astronomy. But
here is an error which has limited relevance.
Making it does not affect St. Thomas's metaphysical
account of the nature of all sensible things as
composed of matter and form.
These first two points of criticism are somewhat
related. Lack of information, as we have seen, may
be the cause of erroneous assertions. Further,
whenever a man is misinformed, he is also
uninformed of the truth. But it makes a difference
whether the defect be simply negative or positive
as well. Lack of relevant knowledge makes it
impossible to solve certain problems or support
certain conclusions. Erroneous suppositions,
however, lead to wrong conclusions and untenable
solutions. Taken together, these two points charge
an author with defects in his premises. He needs
more knowledge than he possesses. His evidences and
reasons are not good enough in quantity or
quality.
(3) To say that an author is illogical is
to say that he has committed a fallacy in
reasoning. In general, fallacies are of two sorts.
There is the non sequitur, which means that
what is drawn as a conclusion simply does not
follow from the reasons offered. And there is the
occurrence of inconsistency, which means
that two things the author has tried to say are
incompatible. To make either of these criticisms,
the reader must be able to show the precise respect
in which the author's argument lacks cogency. One
is concerned with this defect only to the extent
that the major conclusions are affected by it. A
book may lack cogency in irrelevant respects.
It is more difficult to illustrate this third
point, because few great books make obvious slips
in reasoning. When they do occur, they are usually
elaborately concealed, and it requires a very
penetrating reader to discover them. But I can show
you a patent fallacy which I found in a recent
reading of Machiavelli's Prince:
The chief foundations of all states, new as
well as old, are good laws. As there cannot be
good laws where the state is not well armed, it
follows that where they are well armed they have
good laws.
Now it simply does not follow from the
fact that good laws depend on an adequate police
force, that where the police force is
adequate, the laws will necessarily be good. I am
ignoring the highly questionable character of the
first fact. I am only interested in the non
sequitur here. It is truer to say that
happiness depends on health (than that good laws
depend on an effective police force), but it does
not follow that all who are healthy are happy.
In his Elements of Law, Hobbes argues in
one place that all bodies are nothing but
quantities of matter in motion. The world of
bodies, he says, has no qualities whatsoever. Then,
in another place, he argues that man is himself
nothing but a body, or a collection of atomic
bodies in motion. Yet, admitting the existence of
sensory qualities -- colors, odors, tastes, and so
forth -- he concludes that they are nothing but the
motions of atoms in the brain. This conclusion is
inconsistent with the position first taken, namely,
that the world of bodies in motion is without
qualities. What is said of all bodies in
motion must apply to any particular group of them,
including the atoms of the brain.
This third point of criticism is related to the
other two. An author may, of course, fail to draw
the conclusions which his evidences or principles
imply. Then his reasoning is incomplete. But we are
here concerned primarily with the case in which he
reasons poorly from good grounds. It is
interesting, but less important, to discover lack
of cogency in reasoning from premises that are
themselves untrue, or from evidences that are
inadequate.
A person who from sound premises reaches a
conclusion invalidly is, in a sense, misinformed.
But it is worth while to distinguish the kind of
erroneous statement which is due to bad reasoning
from the kind previously discussed, due to other
defects, especially insufficient knowledge of
relevant details.
4
The first three points of criticism, which we
have just considered, deal with the soundness of
the author's statements and reasoning. Let us turn
now to the fourth adverse remark a reader can make.
It deals with the completeness of the author's
execution of his plan -- the adequacy with which he
discharges the task he has chosen.
Before we proceed to this fourth remark, one
thing should be observed. Since you have said you
understand, your failure to support any of these
first three remarks obligates you to agree with the
author as far as he has gone. You have no freedom
of will about this. It is not your sacred privilege
to decide whether you are going to agree or
disagree.
Since you have not been able to show that the
author is uninformed, misinformed, or illogical on
relevant matters, you simply cannot disagree. You
must agree. You cannot say, as so many students and
others do, "I find nothing wrong with your
premises, and no errors in reasoning, but I don't
agree with your conclusions." All you can possibly
mean by saying something like that is that you do
not like the conclusions. You are not
disagreeing. You are expressing your emotions or
prejudices. If you have been convinced, you should
admit it. (If, despite your failure to support one
or more of these three critical points, you still
honestly feel unconvinced, perhaps you
should not have said you understood in the first
place.)
The first three remarks are related to the
author's terms, propositions, and arguments. These
are the elements he used to solve the problems
which initiated his efforts. The fourth remark --
that the book is incomplete -- bears on the
structure of the whole.
(4) To say that an author's analysis is
incomplete is to say that he has not solved
all the problems he started with, or that he has
not made as good a use of his materials as
possible, that he did not see all their
implications and ramifications, or that he has
failed to make distinctions which are relevant to
his undertaking. It is not enough to say that a
book is incomplete. Anyone can say that of any
book. Men are finite, and so are their works, every
last one. There is no point in making this remark,
therefore, unless the reader can define the
inadequacy precisely, either by his own efforts as
a knower or through the help of other books.
Let me illustrate this point briefly. The
analysis of types of government in Aristotle's
Politics is incomplete. Because of the
limitations of his time and his erroneous
acceptance of slavery, Aristotle fails to consider,
or for that matter even to conceive, the truly
democratic constitution which is based on universal
suffrage; nor can he imagine either representative
government or the modem kind of federated state.
Euclid's Elements of Geometry is an
incomplete account because he failed to consider
other postulates about the relation of parallel
lines. Modern geometrical works, making these other
assumptions, supply the deficiencies. Dewey's
How We Think is an incomplete analysis of
thinking because it fails to treat the sort of
thinking which occurs in reading or learning by
instruction in addition to the sort which occurs in
investigation and discovery.
This fourth point is strictly not a basis for
disagreement. It is critically adverse only to the
extent that it marks the limitations of the
author's achievement. A reader who agrees with a
book in part -- because he finds no reason to make
any of the other points of adverse criticism --
may, nevertheless, suspend judgment on the whole,
in the light of this fourth point about the book's
incompleteness. Suspended judgment on the reader's
part responds to an author's failure to solve his
problems perfectly.
Related books in the same field can be
critically compared by reference to these four
criteria. One is better than another in proportion
as it speaks more truth and makes fewer errors. If
we are reading for knowledge, that book is best,
obviously, which most adequately treats a given
subject matter. One author may lack information
which another possesses; one may make erroneous
suppositions from which another is free; one may be
less cogent than another in reasoning from similar
grounds. But the profoundest comparison is made
with respect to the completeness of the analysis
which each presents. The measure of such
completeness is to be found in the number of valid
and significant distinctions which the accounts
being compared contain. You may see now how useful
it is to have a grasp of the author's terms. The
number of distinct terms is correlative with the
number of distinctions.
5
When you have read a book according to these
rules, you have done something, I need not tell
you. You will feel that way about it yourself. But
perhaps I should remind you that these rules
describe an ideal performance. Few people have ever
read any book in this ideal manner, and those who
have, probably read very few books this way. The
ideal remains, however, the measure of achievement.
You are a good reader in the degree to which you
approximate it.
When we speak of someone as "well read," we
should have this ideal in mind. Too often, I fear,
we use that phrase to mean the quantity rather than
the quality of reading. A person who has read
widely but not well deserves to be pitied rather
than praised, for so much effort has been misguided
and profitless.
The great writers have always been great
readers, but that does not mean that they read
all the books which, in their day, were
listed as the great and indispensable ones. In many
cases, they read fewer books than are now required
in some of our better colleges, but what they did
read, they read well. Because they had mastered
these books, they became peers with their authors.
They were entitled to become authorities in their
own right. In the natural course of events, a good
student frequently becomes a teacher, and so, too,
a good reader becomes an author.
My intention here is not to lead you from
reading to writing. It is rather to remind you that
one approaches the ideal of good reading by
applying the rules I have described in the reading
of a single book, and not by trying to become
superficially acquainted with a large number. There
are, of course, many books worth reading well.
There is a much larger number which should be only
skimmed. To become well read, in every sense of the
word, one must know how to use whatever skill one
possesses with discrimination -- by reading every
book according to its merits.