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Something
to Think About
Tell the
Truth and Shame the Devil
by Gordon Francis Corbett
Thanks partly to old movies, some people think
that every reporter has "who, what, where, when,
why, and how" engraved on his soul. They think that
to keep his job, a reporter needs only to search
hard and to write well.
Unfortunately, a reporter is an employee. To
stay employed, he must satisfy his editor and his
publisher. He is not like the fictional reporters
we know from those old black-and-white movies.
Remember them? An old-movie reporter steps into
a telephone booth, shoves his hat back on his head,
picks up the telephone's receiver, and dials a
number. He leans toward the microphone and says,
"Give me the city desk. I've got a story that will
crack this town wide open."
In real life, a publisher might not want his
town, or his country, cracked wide open. So, when a
reporter turns in a story giving the low-down on
the highers-up, his publisher may reject it and
warn him to keep quiet. As he likes working, he
does just that.
This aspect of journalism rarely sees either
film or print, and unless we keep it in mind, we
can never understand why companies spend serious
money to show us what we see or read.
Today, straight reporting is passé.
Journalism professors teach "models" that define
what makes stories "good." Their graduates' work
fills our newspapers and our television
screens.
Fortunately, thanks partly to the Internet,
their monopoly is gone.
Those old films told us that bad reporters lie,
but that a good reporter "tells the truth and
shames the Devil." Discerning the difference is our
job. When we compare reports from the several
sources available, we will see who gives us lies
and who gives us facts. Armed with that truth, we
may yet save our freedom.
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