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April 1, 2007
Self,
Desire, and Consciousness
by Frank Martin DiMeglio
The self represents, forms, and experiences a
comprehensive approximation of the totality of
experience by combining unconscious and conscious
experience. Experience then becomes a more direct
expression of the self that is increasingly
representative of a greater totality of experience
as well. This is due to the combined effect of
higher feeling with consistent, balanced, and
complex emotion; as the more concerning,
compelling, and unconscious aspect of higher
feeling merges with the more conscious aspect of
emotion that is comprehensive (or complex) and
balanced (or consistent). This is demonstrated in
becoming "one with the music." Indeed, given such a
fundamental integration and spreading of the self,
the self represents and forms a comprehensive
approximation of all experience.
Such truly elevated and powerful desire is
characterized by relatively unified and
comprehensive desire, intention, and concern. Art
and great thinking advance and recognize the self
as that which is true, serious, compelling,
beautiful, and real. Indeed, man is only great and
truly concerned to the extent that the totality of
experience is understood and felt to be reflective
of the self or desire; for this is how the self is
fundamentally advanced.
The fundamental instinct or desire is to become
other than one is; and this involves, includes, and
is consistent with, the following:
1. All living things grow.
2. Powerful desire is involved in creating a
life that is other than one's own.
3. The cyclical nature of dreams and waking
experience, including the fact that dream
experience tends to be unique, insofar as it
generally does not recur.
4. Both the life and death drives.
5. The heightened passion and desire that are
involved in the relatively new (and unique)
experiences or creations of genius.
Desire consists of both intention and concern.
The fullness and richness of our being, thought,
experience, and desire (or emotion) is attained
when intention and concern become consistent (or
balanced) and comprehensive.
Ideally, the heightened feeling that the genius
experiences at the emotional center of the self
results in emotion that is balanced (or consistent)
and comprehensive (or complex). Such emotion
involves heightened intuition, concentrated and
comprehensive desire, and a superior range,
consistency, comprehensiveness, and depth of the
attendant thought. The mind and desire are
sharpened by focusing and concentrating thought and
emotion. The increased desire or feeling that
further involves the unconscious improves the
consistency and comprehensiveness of the self's
desire and thought, and attention is improved as
well.
The ability of thought to describe or
reconfigure sense is ultimately dependent upon the
extent to which thought is similar to sense.
Beethoven's thought, for example, was more
comprehensively encompassed and characterized by
emotion, which accounts for the range and depth of
his expression of desire. The self-encompassing
effect of "becoming one with the music" truly
elevates desire and advances the self. In the
experience of great music, the high feeling and
degree of emotional consistency and complexity (or
comprehensiveness) are such that thought is, in
effect, "outsmarted", and may only describe the
musical experience in a relatively incomplete,
inconsistent, unsatisfactory, and distant fashion.
Whereas in the dream, the expressions and
manifestations of desire are more concerning, music
involves the representation and expression of
desire as increasingly intentional and concerning.
An enriched, central, balanced, unified, coherent,
expansive, and fundamental basis (or platform) for
the overall advancement of the self is thus
achieved. Desire is the glue of the self. From
dreams and abstract (or general) ideas to the
experience of great music itself, the worlds of
thought and sense are encompassed by the self as
desire. Art and music make experience, desire, and
attention sustained and intentional, thereby
expanding upon experience and freedom.
Consciousness involves the extent to which the
experience and expressiveness of the self
comprehensively approximate to reality. The dream
assists with this, for in this relatively
unconscious experience of higher (or emotional)
feeling, desire takes the form of increased or
amplified concern, and results in a relative
reduction in the desirability and intentionality of
experience. (The self rests in the dream due to the
reduction of the intentionality of experience
therein, as there is neither fatigue nor tiredness
in the dream.) However, the higher desire (or
feeling) of genius merges (or balances) increased
intentionality of experience with increased concern
in order to gain what is a fundamental extension of
being, desire, thought, and experience. Given the
relatively advanced consciousness (and desire) of
the ideal (or highest) form of genius, experience
and the self are extended and balanced at a shared
and higher level of feeling, and experience becomes
increasingly desirable, intentional, and
concerning. Experience becomes more extensive and
comprehensive as a reflection of desire, for the
self then represents, forms, and experiences a
comprehensive and consistent approximation of
reality. Language then becomes possible in the
different sensory modalities. When experience is
increasingly intentional, it necessarily is more
concerning. The experience of the body makes this
readily apparent. In considering conscious
experience, it is critical to identify the common
factors or elements therein. The self is understood
to still be conscious in the dream due to the
experience of language, thought, desire, concern,
some intentionality of experience, minor pain,
laughter, vision, and a sense of relative
familiarity with the experience therein.
The dream provides for narrowness or specificity
of attention and experience. Inseparable from this
is the reduction in the totality of experience
during dream experience. Given this relative
disintegration and/or fragmentation of conscious
thought and experience, attention is more variable
and specific. The dream exhibits and develops
thoughtful and emotional resiliency in conjunction
with the variable depth and range of feeling that
is experienced therein. The dream ensures that
thought remains specific, flexible, and resilient
at what are generally higher and variable levels of
feeling. In fact, it is because attention and
experience are already so narrow and specific in
the dream that experience and attention are
variable (or shifting). The dream involves a
relatively extreme focusing of attention to the
point that the visual experience is relatively
disintegrated. This very effect occurs when
conscious, if experience is significantly narrowed
(or reduced) by staring at something for an
extended amount of time. Moreover, this
disintegration (or dullness) of visual experience
also occurs when an object is close to the eyes.
Consistent with this is the fact that visual dream
experience occurs at a closer distance than that of
waking vision.
The dream demonstrates sustained or improved
attention in conjunction with the narrowness,
specificity, and variability (or shifting) of
attention therein. Clearly, an essential connection
involving creativity and desire in relation to
experience, thinking, and attention is thus
established.
In turning to the experience of consciousness
that involves genius, attention and experience
(including thought) become more continuous and
extensive. In conjunction therewith, the creative
genius also retains the advantages of higher
feeling (i.e., as increased desire or energy) that
confer increased variability and specificity (or
narrowness) of attention, emotion, and experience
(including thought). It is noteworthy that there is
neither fatigue nor tiredness in the dream.
Therefore, the thought(s) and attention of the
genius become more sustainable, as they are more
continuous (or consistent), extensive, specific,
and variable (or shifting). Given the successful
combination of conscious and relatively unconscious
experience (and attention), a truly greater, more
permanent (i.e., less transitory), expansive, and
more creatively desirable realm of thought and
experience will result. Indeed, the ultimate and
legitimate goal of truth, knowledge, and experience
in general is the fundamental advancement and
improvement of consciousness.
Frank
Martin DiMeglio lives in Maryland and is currently
writing a book about philosophy. He has a Bachelor
of Science degree (Honors, 1987) from Towson
University in Geography and Environmental
Planning.
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