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October
29, 2007
Fiesta in
Joco
Jack-Leg
Sociology
by Fred Reed
My stepdaughter Natalia, fifteen, graduated last
week from Antonia Palomares school in Jocotepec, on
the north shore of Lake Chapala, in Jalisco,
Mexico, where I live. Inevitably the parents of the
graduating class held a monster fiesta. Mexicans do
that, at any provocation. I think it's genetic. The
hall they rented was just a very large room with
tables and a bandstand, with the ambience of a
high-school cafeteria in 1954, but with room to
dance. That's what counts hereabouts.
My wife Violeta and I showed up with a bottle of
tequila, Natalia, mixers, and suchlike
paraphernalia of gaiety, and greeted friends at our
table. Things got rolling after ten. The lights
went down and the band cranked up and lit into an
hour and a half of nonstop cumbias, salsa, banda.
Short-shorted girls with the band high-stepped and
twirled and pseudo-smoke from dry ice curled in
varicolored lights. Conversation was impossible,
but you don't come to a fiesta to talk. You can do
that anywhere. You come to dance, which everyone
proceeded to do.
Mexicans approach dancing a bit differently from
Americans. A couple of large circles coalesced on
the floor, everyone moving to the music. One after
another a dancer would go to the center of the
circle to strut his (or, most assuredly, her)
stuff, and retire to the circumference to
applause.
When Vi and I reached the circle, a mob of
teenage girls pushed us into the center. Resistance
was futile. The young ladies figured they had a
sample gringo and meant to make the most of it. (At
these things I usually constitute the entire Nordic
presence, there being little real contact between
Americans and locals.) We lit into a fast
double-step jitterbug to everyone's
satisfaction.
The horns squonked and blared and the rhythm
pounded and when anyone especially good was in the
center everyone clapped to the beat and hollered
"Hey! Hey! Hey!" and I found myself thinking, "This
really, truly isn't Kansas, Dorothy."
I reflected that Americans don't quite know
what's down here. We think of Pedro and his burro
sleeping under the cactus, or illegals tunneling
under the border. That's Mexico
Well, yes, sort of, but no, not at all. There's
an actual country here, a hundred million souls,
Latin to the marrow, and below a whole Latin world
stretching to Tierra del Fuego. The poor in Mexico
try to go to the US because that's where the money
is. The rest aren't interested. They're Mexican,
and they like that just fine, thank you. Though
they seldom say it, being considerate, gringos seem
cold and reserved to them.
Vi and I took a break for tequila and Squirt
(which, not the margarita, is the Mexican national
drink). I watched Nata's classmates, their big
sisters, their moms, and thought how endlessly
pretty Mexican women are, how naturally they dance.
A friend of mine insists that Protestants can't
dance because they don't have hips. He swears it's
in Gray's Anatomy. My theory is that Latinas are
built around psychic roller bearings and a lack of
self-consciousness.
The almost universal response of unmarried
American men to the circumambient femininity is,
"Hoo-ah! What everlovin' honeys!" In the US the
observation would be regarded as sexist. In Mexico,
culturally committed to a policy of sexual
dimorphism, it is a compliment and a truism. In
some places you might get punched out for
suggesting otherwise.
These teens are not going to lead their parents'
lives. Mexico is changing, fast. The birth rate
falls like a rock. It is not uncommon for a woman
in her late thirties to have eight or ten brothers
and sisters, but only two kids of her own.
Machismo, if not dead, looks to have a sliderule's
future in Palo Alto. Many of Nata's classmates plan
on universities. Female dentists and lawyers are
common.
Before, things were bad. This isn't feminist
propaganda. Violeta's dad, a standard
poor-but-honest sort, was delighted when Vi,
sixteen, announced that she wanted to go to the
University of Guadalajara, which she did. His
encouragement established him as a virtual freak.
Other parents said that she would become a whore
(though in fact U. Guad has no such program). Other
bright women I know in their late thirties were
prevented by their parents from studying. Today in
Joco, small backward town though it be, Natalia has
lots of female company in the Prepa, the
farm-system for U Guad, and nobody seems to think
anything of it. It is a genie that will not go back
to its bottle.
Carrie Nation would find the going rough here.
Natalia, lovely in a black dress, chattered with
friends during a break and drank a
tequila-and-Squirt. I think it's illegal, but
Mexicans tend to ignore laws when they make no
sense. It is an approach that might profitably be
adopted in an over-regulated America. Anyway, the
occasional drink is held not to damage those
verging on adulthood.
Kids are kids. When we came to Joco from Guad
last year, Nata's rep for being smart had preceded
her. She was therefore expected by the other
teenagers to have thick glasses, buck teeth, and
walk like a dorky robot. This turned out to be of
imperfect accuracy. The boys were pleased, the
girls less so. Why bright seems universally to
create a presumption of boring awkwardness, I do
not know.
Parenthetically, I might add that the northern
notion of the submissive Mexicana is overdrawn, at
least today. (Again, times are changing. They used
to get the hell beaten out of them.) Today's
Mexicanas aren't coiled to strike but submissive,
no. For example Natalia, when seriously crossed,
exhibits a fawnlike timidity that I associate with
the Wehrmacht in Poland. She has teeth. She isn't
looking for a chance to use them. Mexico is less
edgy than America. Also less competitive. The two
may be related.
Early in the evening a woman walked across the
floor leading a little girl, who looked to have
learned to walk last week. Mexicans have their own
ideas about what I suppose might be called
age-appropriateness. The child will grow up
thinking that fiestas and dancing are reasonable.
Several boys of maybe ten ran around and
occasionally joined the circle. Mothers danced with
their kids, a thing unimaginable in my high-school
years -- either that they would dance or that I
would do it with them. People here regard it as
normal. If you asked them about it, they would look
puzzled and say, "Why not?"
I'm running out of space. At two-thirty we
bailed. More anon.
Reed
Archive
Copyright 2007 by Fred Reed and reproduced here by
permission of the author.
About
the Author (by the author):
Fred Reed is a Marine combat veteran, police
reporter, amateur biochemist, former long-haul
hitchhiker, and part-time sociopath living in
Mexico. Fred, a keyboard mercenary with a
disorganized past, has worked on staff for Army
Times, The Washingtonian, Soldier of Fortune,
Federal Computer Week, and The Washington
Times. He has been published in Playboy,
Soldier of Fortune, The Wall Street Journal, The
Washington Post, Harper's, National Review, Signal,
Air&Space, and suchlike. He has worked as a
police writer, technology editor, military
specialist, and authority on mercenary soldiers. He
is by all accounts as looney as a tune.
Visit the "Fred
on Everything" website to read his previous
columns and sign up for his regular e-mail
feature.
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The essays in A Brass Pole in
Bangkok, are sometimes wildly funny,
sometimes deadly serious, always merciless
in their unmasking of the pretenses and
charlatans of society. Fred, a former
Marine, subscribes to no ideology ("an
ideology is just a systematic way of
misunderstanding the world") but
exuberantly wreaks havoc on practically
everything, and delights in everything
else: the psychotherapy swindle, squalling
feminists, race racketeers, damn fool
wars, red-light districts in Asia, and
tequila fests in Mexico, where he
lives.
A
Brass Pole in Bangkok: A Thing I Aspire To
Be, by Fred Reed
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Buy Fred's new reprehensible book,
Nekkid In Austin! Another
collection of Fred's collected outrages,
irresponsible ravings, and curmudgeonry
from "Fred On Everything" and some
innocent magazines that, he says,
foolishly published him. Wildly funny,
sometimes wacky, always provocative essays
on the collapse of America.
Nekkid
in Austin: Drop Your Inner Child Down a
Well, by Fred Reed
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