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January
7, 2008
How We
Were
Chronicles
of an Adolescence No Longer
Available
by Fred Reed
You need to know about how in 1962 I was a
half-wild country kid of sixteen in the wilds of
King George Country, Virginia, and drove a derelict
'53 Chevy that shouldn't even have started but in
fact went places that would have terrified Rommel's
panzers at their brazenest. (You may think you
don't need to know this. Well, you do. It's like,
you know, real history, and American.)
Now, that Chevy was brown like two colors of
dirt. It had six cylinders but ran on three,
perhaps saving the others for emergencies. The
closest it came to compression was a sort of
ancestral memory, and the tires showed more fabric
than rubber. But it was built like a tank. It had
to be. Kids then were hard on cars.
It is a little known fact that a rural boy of
sixteen can bond with a car -- can come to love it.
His mo-sheen (the correct word, as in "baaad
mo-sheen," which paradoxically means "good
mo-sheen" and carries implications of nonexistent
speed and virility) represents dependability in a
hostile world, at least if it usually starts. It is
codpiece, heraldic emblem, home away from home,
bar, love nest, salon, even at times
transportation. When parked on a frigid January
night in the wild woods, it is warmth, safety, and
escape if need be. It is independence and manhood,
or at least the southern fringes thereof.
The county was mostly woods and fields with
towns far apart -- King George, Colonial Beach, and
Dahlgren Naval Weapons Laboratory on the Potomac,
where I lived. Cars consequently were our life. On
Saturday nights we drove interminably through the
dark forests, just driving, moving, rapt with the
night and freedom, without the sense God give a
crabapple. The times were different. We'd park for
hours with our girlfriends in empty fields glowing
with moonlight. We actually liked our girlfriends
because we knew we probably weren't going to get
laid anyway, so we might as not do it with someone
who was good company. It didn't seem to hurt
us.
We learned things only known to teenagers. Don't
park under a mercury-vapor light because it makes
zits turn purple and green. Sheldon's Country Store
would sell beer to an eleven-year-old. Don't chug a
bottle of Wild Irish Rose to impress your friends.
It will, but it isn't worth it. Your father is
probably smarter than you think he is: If you
disconnect the speedometer cable, he'll count the
bugs on the windshield and know you didn't really
go to the movie three blocks away.
Truth is, the Pluke Bucket -- my tired Detroit
dragon -- was not of high consequence. The best
cars had phone-flow. This refers to a gear shift of
four speeds, located on the transmission hump.
("Four on the floor" to the uninitiated.) Below in
the scale came threenatry--three on the
tree--meaning a shifter of three speeds on the
steering column. The Pluke Bucket had an automatic
transmission, which was prestigious as a venereal
disease in a convent. But she was mine.
Our dream car was a fitty-sedden Chev 283,
bored-and-stroked, ported and polished, with two
four-barrel carbs ("dual quads"), magneto ignition,
solid lifters, Isky three-quarter cam, milled
heads, Hearst narrow-gate phone-flow, 3.51
Positraction rear end and tuck-and-roll Naugahyde.
But this was like saying that Ursula Andress was a
hot date. Wasn't going to happen. Not to us.
A great advantage of knowing about cars was that
you could talk for forty-five minutes without
saying a thing that your mother could understand.
Apart from technical argot, we said things like,
Baaad-ass fitty-eight Ford, cam lope
wubbwubba, udden-udden, popped it,
sceech
.tachin' two grand
" with gestures
indicating power-shifting and the like.
Lots of times we got into sort of half-trouble,
which is about right for teenagers. Harry Burrell
was a farmer noted for being irascible. He lived on
the hills overlooking Route 301 and came out with a
shotgun after anyone who drove along the dirt road
that crossed his fields. I remember that he held
his pants up with a piece of rope. He was that
stingy.
Anyway one dark night after the spring rains my
girlfriend Rosie and I wanted adventure and roared
in the Pluke Bucket along his road, blowing the
horn. It was like poking a hornet's nest with a
stick, though I guess dumber. If Harry had shot us,
we probably would have deserved it, but that was
true of most things that the boys did. Anyway, sure
enough, the lights came on in Harry's place and he
came after us on his tractor -- so help me -- just
about the time we came to a stretch of serious mud.
Our tired chariot began spinning out and
fishtailing back and forth toward the ditch.
We began to be scared. Harry wouldn't really
shoot us (we thought) but we might wish he had. He
was rough. However, the Bucket and I had been in
worse places and I knew how to surf in mud. In
deeper places the trick was to speed up, bump,
whrrrr, and spin through without quite breaking the
axle. We speculated that it would work better if
the tires had tread on them, but this was an alien
concept.
But Harry had a tractor. We hadn't thought of
that.
We came to where the road, which is an
optimistic designation, dropped down the side of a
hill to a narrow creek and then went back up. The
tractor was gaining. Not good. We shot down the
declivity, crossed the creek on momentum, and
then
stopped, tires spinning helplessly on the
upslope. Things were deteriorating.
Americans are capable people, though without
judgement. I leaped out to push, and Rosie took the
wheel. Picture it: Cold mud over my shoes, raw
exhaust blowing hot over me, tires spraying mud,
and tractor lights appearing at the crest of the
hill. Darkness. Wetness. Our bodies would never be
found. I made a superhuman effort, seeing no
plausible alternative. The Bucket moved a little,
and a little more.
Rosie was a country girl, and understood mud.
She knew that if she stopped to pick me up, the
Bucket wouldn't go forward again, but spin out. She
slowed, I ran. I leaped in the door and we went up
hill, not very fast but faster than a tractor.
That's why Americans got to the Moon and
occasionally win wars. They never ask whether a
thing makes sense until after they've done it, and
then you can't take it away from them. I mean, can
you imagine a Frenchman in a Lamborghini escaping
Harry Burrell? Nah.
Reed
Archive
Copyright 2008 by Fred Reed and reproduced here by
permission of the author.
About
the Author (by the author):
Fred Reed is a Marine combat veteran, police
reporter, amateur biochemist, former long-haul
hitchhiker, and part-time sociopath living in
Mexico. Fred, a keyboard mercenary with a
disorganized past, has worked on staff for Army
Times, The Washingtonian, Soldier of Fortune,
Federal Computer Week, and The Washington
Times. He has been published in Playboy,
Soldier of Fortune, The Wall Street Journal, The
Washington Post, Harper's, National Review, Signal,
Air&Space, and suchlike. He has worked as a
police writer, technology editor, military
specialist, and authority on mercenary soldiers. He
is by all accounts as looney as a tune.
Visit the "Fred
on Everything" website to read his previous
columns and sign up for his regular e-mail
feature.
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The essays in A Brass Pole in
Bangkok, are sometimes wildly funny,
sometimes deadly serious, always merciless
in their unmasking of the pretenses and
charlatans of society. Fred, a former
Marine, subscribes to no ideology ("an
ideology is just a systematic way of
misunderstanding the world") but
exuberantly wreaks havoc on practically
everything, and delights in everything
else: the psychotherapy swindle, squalling
feminists, race racketeers, damn fool
wars, red-light districts in Asia, and
tequila fests in Mexico, where he
lives.
A
Brass Pole in Bangkok: A Thing I Aspire To
Be, by Fred Reed
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Buy Fred's new reprehensible book,
Nekkid In Austin! Another
collection of Fred's collected outrages,
irresponsible ravings, and curmudgeonry
from "Fred On Everything" and some
innocent magazines that, he says,
foolishly published him. Wildly funny,
sometimes wacky, always provocative essays
on the collapse of America.
Nekkid
in Austin: Drop Your Inner Child Down a
Well, by Fred Reed
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included. It is your job to be a critical
reader.
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