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August 11, 2008

 

Other Times and Ways

Shoveling Sand Against the Tide

by Fred Reed

 

When I ponder our curiously unbalanced civilization, able to put golf carts on Mars but unable to equal the verse of muddy Elizabethan London, I wonder why we are as we are. In all things technological the United States is magnificent, the Athens of solid-state physics. Yet the great orchestras die unlistened to, we have no Shakespeare or Dante nor notion why we might want them, and religious expression grows mute, or crabbed and hostile. Why?

I think the answer is that our surroundings determine not just what we think, but what we can think. We live in cities urban but not urbane, among screaming sirens, in air grayed by exhaust and wracked by the blattings of buses. The complaint is not invalid for being trite. I cannot imagine a Whitman composing in a shopping mall.

The rush and complexity of everything take their toll. As a people we might well be called The Unrelaxed. And, therefore, the Uncontemplative.

Other lives are possible, or were possible. Years ago I passed a summer in Hampden=Sydney, my small college on a huge wooded campus in then-rural Virginia. The students were blessedly gone.

Along the Via Sacra, as the only road on campus was called, under blue skies going on forever and forever there was silence, absolute silence, unless you count the twittering of birds and the keening of bugs in ancient oaks. These may be sounds, but they are not noise. They are not even music, but something before, older, earlier, better. Vivaldi was a great man, but here he was out of his league. The professors' homes, old often and dignified without pretension, watched from yards shaded by old, old trees. And it was quiet and warm and you were with your thoughts.

It was terribly unmodern. At night the stars shone in the black infinite and there was no noise. No noise. There a Thoreau could have written or Corot painted. I do not think this possible in clangorous suburban ugliness.

Following the Via Sacra you came to Black Bottom, where the road ended in woods and there was a pond with a swan in it. The place was not the stuff of photographic magazines, just the quiet, bug-loud second growth of Virginia. In a lengthening life I have seen nothing more peaceful. To the left a trail of red clay, speckled with mica, wound through the pines down and down to Slippery Rock. Here deep in the woods a small stream plashed through the red banks and slid over a flat rock covered with moss. Few knew of it. My father, before there was electricity, came here to slide into the pool below. As did I.

On many afternoons I read there, or did nothing, or watched the water striders skating on the surface, their feet in little depressions in the water. Being then a student of physics and chemistry, I knew somewhat of surface tension and surfactants and the preferences of hydrogen bonds, but I also knew I was looking at something beyond my comprehension. It was not a scientific observation. Scientists take things apart but, except for the greats, do not notice the whole. The greats are few on the ground.

Such places change one's inner world. At Slippery Rock I thought things I could not in Arlington, Virginia, just outside of Washington, with its sirens and traffic and quietly angry people connected to iPods. Wilson Boulevard, where I lived, was by no means horrible. I liked its restaurants and bars and sushi joints. The people weren't evil. But it was terribly unquiet.

I am not religious, at least in the sense of believing that I have the answers, but I am religious in the sense of knowing the questions. I know that there are things we can't know, things even more important than making partner before the age of thirty. Doubtless most of us know this. Yet the tenor of life is not easily escaped. We try. People rush to Europe in search of the old, the quiet, and the pretty. Peddlers of real estate understand the urge, and hawk tranquil rural life while building the malls that will make it impossible. And so hurry comes to Arcadia. People then think of escape to the next small town. We spend a remarkable amount of time fleeing ourselves. Maybe instead we should build a place we like.

We cannot, because the nature of things is determined remotely, at corporate. We have little choice in where we live, not because we cannot move but because everywhere becomes the same. A Southern town with old houses and grey-green Spanish moss hanging in beards from trees gives way to malls and Ruby Tuesdays. The town center may be retained, with parking for tour buses, so that people from elsewhere can have a Southern Experience. A town turned into a freak show is no longer precisely a town.

So little remains of the local. Time was when two-lane highways wound through misty valleys in the Smokies with little towns scrunched onto the slopes of a wrinkled land and mom-and-pop restaurants, no two alike. Barstow was a desert town of desert people, and New Orleans was a city, not a theme park.

Now, no. Things are both uniform and ugly. Corporates everywhere have learned to stamp out stores, houses, developments, cheap because identical, because of the wonders of mass production, and who can tell them no? You can't stop progress, boosters say, though I can't see that we have had any.

And of course people want, or think they want, the noise and sprawl and franchisees. Construction does briefly provide jobs, Wal-Mart does sell power saws at low prices, and the food at Ruby Tuesday's is good. The young like noise, and surely a store selling thirty brands of running shoes for people who don't run cannot be a bad thing. It is only later that the boredom and emptiness set in for kids who have only the malls, never the woods. Hamsters have exercise wheels. We buy things.

Few precisely like what we have, I suppose, but how does one escape it? Perhaps they don't sense exactly what it is they want to escape, and anyway there is nowhere else to go. In noise-ridden cities smelling of exhaust, crowded, where the stars languish obscured by smoke, the rivers run semi-poisonous and much of the populace can barely read, how can anyone think beyond the stock market and the next empty copulation? The Milnes and Donnes and Marlowes don't exist because they can't, and we don't want them because we can't want them.

Reed Archive


Copyright 2008 by Fred Reed and reproduced here by permission of the author.

About the Author (by the author):

Fred Reed is a Marine combat veteran, police reporter, amateur biochemist, former long-haul hitchhiker, and part-time sociopath living in Mexico. Fred, a keyboard mercenary with a disorganized past, has worked on staff for Army Times, The Washingtonian, Soldier of Fortune, Federal Computer Week, and The Washington Times. He has been published in Playboy, Soldier of Fortune, The Wall Street Journal, The Washington Post, Harper's, National Review, Signal, Air&Space, and suchlike. He has worked as a police writer, technology editor, military specialist, and authority on mercenary soldiers. He is by all accounts as looney as a tune.

Visit the "Fred on Everything" website to read his previous columns and sign up for his regular e-mail feature.

 

The essays in A Brass Pole in Bangkok, are sometimes wildly funny, sometimes deadly serious, always merciless in their unmasking of the pretenses and charlatans of society. Fred, a former Marine, subscribes to no ideology ("an ideology is just a systematic way of misunderstanding the world") but exuberantly wreaks havoc on practically everything, and delights in everything else: the psychotherapy swindle, squalling feminists, race racketeers, damn fool wars, red-light districts in Asia, and tequila fests in Mexico, where he lives.

A Brass Pole in Bangkok: A Thing I Aspire To Be, by Fred Reed

Buy Fred's new reprehensible book, Nekkid In Austin! Another collection of Fred's collected outrages, irresponsible ravings, and curmudgeonry from "Fred On Everything" and some innocent magazines that, he says, foolishly published him. Wildly funny, sometimes wacky, always provocative essays on the collapse of America.

Nekkid in Austin: Drop Your Inner Child Down a Well, by Fred Reed


Because The Radical Academy publishes essays and articles on its website does not imply acceptance or approval of the comments or opinions expressed by the author of the material. Nor is the Academy responsible for any misrepresentation of the facts included. It is your job to be a critical reader.


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