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August
11, 2008
Other Times
and Ways
Shoveling
Sand Against the Tide
by Fred Reed
When I ponder our curiously unbalanced
civilization, able to put golf carts on Mars but
unable to equal the verse of muddy Elizabethan
London, I wonder why we are as we are. In all
things technological the United States is
magnificent, the Athens of solid-state physics. Yet
the great orchestras die unlistened to, we have no
Shakespeare or Dante nor notion why we might want
them, and religious expression grows mute, or
crabbed and hostile. Why?
I think the answer is that our surroundings
determine not just what we think, but what we can
think. We live in cities urban but not urbane,
among screaming sirens, in air grayed by exhaust
and wracked by the blattings of buses. The
complaint is not invalid for being trite. I cannot
imagine a Whitman composing in a shopping mall.
The rush and complexity of everything take their
toll. As a people we might well be called The
Unrelaxed. And, therefore, the Uncontemplative.
Other lives are possible, or were possible.
Years ago I passed a summer in Hampden=Sydney, my
small college on a huge wooded campus in then-rural
Virginia. The students were blessedly gone.
Along the Via Sacra, as the only road on campus
was called, under blue skies going on forever and
forever there was silence, absolute silence, unless
you count the twittering of birds and the keening
of bugs in ancient oaks. These may be sounds, but
they are not noise. They are not even music, but
something before, older, earlier, better. Vivaldi
was a great man, but here he was out of his league.
The professors' homes, old often and dignified
without pretension, watched from yards shaded by
old, old trees. And it was quiet and warm and you
were with your thoughts.
It was terribly unmodern. At night the stars
shone in the black infinite and there was no noise.
No noise. There a Thoreau could have written or
Corot painted. I do not think this possible in
clangorous suburban ugliness.
Following the Via Sacra you came to Black
Bottom, where the road ended in woods and there was
a pond with a swan in it. The place was not the
stuff of photographic magazines, just the quiet,
bug-loud second growth of Virginia. In a
lengthening life I have seen nothing more peaceful.
To the left a trail of red clay, speckled with
mica, wound through the pines down and down to
Slippery Rock. Here deep in the woods a small
stream plashed through the red banks and slid over
a flat rock covered with moss. Few knew of it. My
father, before there was electricity, came here to
slide into the pool below. As did I.
On many afternoons I read there, or did nothing,
or watched the water striders skating on the
surface, their feet in little depressions in the
water. Being then a student of physics and
chemistry, I knew somewhat of surface tension and
surfactants and the preferences of hydrogen bonds,
but I also knew I was looking at something beyond
my comprehension. It was not a scientific
observation. Scientists take things apart but,
except for the greats, do not notice the whole. The
greats are few on the ground.
Such places change one's inner world. At
Slippery Rock I thought things I could not in
Arlington, Virginia, just outside of Washington,
with its sirens and traffic and quietly angry
people connected to iPods. Wilson Boulevard, where
I lived, was by no means horrible. I liked its
restaurants and bars and sushi joints. The people
weren't evil. But it was terribly unquiet.
I am not religious, at least in the sense of
believing that I have the answers, but I am
religious in the sense of knowing the questions. I
know that there are things we can't know, things
even more important than making partner before the
age of thirty. Doubtless most of us know this. Yet
the tenor of life is not easily escaped. We try.
People rush to Europe in search of the old, the
quiet, and the pretty. Peddlers of real estate
understand the urge, and hawk tranquil rural life
while building the malls that will make it
impossible. And so hurry comes to Arcadia. People
then think of escape to the next small town. We
spend a remarkable amount of time fleeing
ourselves. Maybe instead we should build a place we
like.
We cannot, because the nature of things is
determined remotely, at corporate. We have little
choice in where we live, not because we cannot move
but because everywhere becomes the same. A Southern
town with old houses and grey-green Spanish moss
hanging in beards from trees gives way to malls and
Ruby Tuesdays. The town center may be retained,
with parking for tour buses, so that people from
elsewhere can have a Southern Experience. A town
turned into a freak show is no longer precisely a
town.
So little remains of the local. Time was when
two-lane highways wound through misty valleys in
the Smokies with little towns scrunched onto the
slopes of a wrinkled land and mom-and-pop
restaurants, no two alike. Barstow was a desert
town of desert people, and New Orleans was a city,
not a theme park.
Now, no. Things are both uniform and ugly.
Corporates everywhere have learned to stamp out
stores, houses, developments, cheap because
identical, because of the wonders of mass
production, and who can tell them no? You can't
stop progress, boosters say, though I can't see
that we have had any.
And of course people want, or think they want,
the noise and sprawl and franchisees. Construction
does briefly provide jobs, Wal-Mart does sell power
saws at low prices, and the food at Ruby Tuesday's
is good. The young like noise, and surely a store
selling thirty brands of running shoes for people
who don't run cannot be a bad thing. It is only
later that the boredom and emptiness set in for
kids who have only the malls, never the woods.
Hamsters have exercise wheels. We buy things.
Few precisely like what we have, I suppose, but
how does one escape it? Perhaps they don't sense
exactly what it is they want to escape, and anyway
there is nowhere else to go. In noise-ridden cities
smelling of exhaust, crowded, where the stars
languish obscured by smoke, the rivers run
semi-poisonous and much of the populace can barely
read, how can anyone think beyond the stock market
and the next empty copulation? The Milnes and
Donnes and Marlowes don't exist because they can't,
and we don't want them because we can't want
them.
Reed
Archive
Copyright 2008 by Fred Reed and reproduced here by
permission of the author.
About
the Author (by the author):
Fred Reed is a Marine combat veteran, police
reporter, amateur biochemist, former long-haul
hitchhiker, and part-time sociopath living in
Mexico. Fred, a keyboard mercenary with a
disorganized past, has worked on staff for Army
Times, The Washingtonian, Soldier of Fortune,
Federal Computer Week, and The Washington
Times. He has been published in Playboy,
Soldier of Fortune, The Wall Street Journal, The
Washington Post, Harper's, National Review, Signal,
Air&Space, and suchlike. He has worked as a
police writer, technology editor, military
specialist, and authority on mercenary soldiers. He
is by all accounts as looney as a tune.
Visit the "Fred
on Everything" website to read his previous
columns and sign up for his regular e-mail
feature.
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The essays in A Brass Pole in
Bangkok, are sometimes wildly funny,
sometimes deadly serious, always merciless
in their unmasking of the pretenses and
charlatans of society. Fred, a former
Marine, subscribes to no ideology ("an
ideology is just a systematic way of
misunderstanding the world") but
exuberantly wreaks havoc on practically
everything, and delights in everything
else: the psychotherapy swindle, squalling
feminists, race racketeers, damn fool
wars, red-light districts in Asia, and
tequila fests in Mexico, where he
lives.
A
Brass Pole in Bangkok: A Thing I Aspire To
Be, by Fred Reed
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Buy Fred's new reprehensible book,
Nekkid In Austin! Another
collection of Fred's collected outrages,
irresponsible ravings, and curmudgeonry
from "Fred On Everything" and some
innocent magazines that, he says,
foolishly published him. Wildly funny,
sometimes wacky, always provocative essays
on the collapse of America.
Nekkid
in Austin: Drop Your Inner Child Down a
Well, by Fred Reed
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